Boz Scaggs

In 1959, he became the vocalist for Steve Miller's band, the Marksmen. After graduation in 1962, the pair later attended the University of Wisconsin–Madison together, playing in blues bands like the Ardells and the Fabulous Knight Trains.^[3]

Scaggs left school in 1963 to pursue a career in music. He signed up for the Army Reserve and formed a new band, the Wigs with John "Toad" Andrews and Bob Arthur. By 1965, the band joined the burgeoning R&B scene in London. Achieving little success, the group disbanded within a few months. Scaggs traveled throughout Europe, earning money by busking. He arrived in Stockholm, Sweden, where he recorded his first solo debut album, Boz, in 1965 with the Karusell Grammofon AB label, which failed commercially.^[3] He had a brief stint with the band the Other Side with Mac MacLeod and Jack Downing.

Returning to the US, Scaggs promptly headed for the booming psychedelic music center of San Francisco in 1967 after receiving a postcard invitation from Steve Miller to join his band. He appeared on the Steve Miller Band's first two albums, Children of the Future and Sailor in 1968.^[12] He left the band due to different music tastes and tension between himself and Miller at the time. Scaggs secured a solo contract with Atlantic Records in 1968, releasing his second album, Boz Scaggs, a year later. It was produced by Jann Wenner (co-founder of the magazine Rolling Stone) and features the Muscle Shoals Rhythm Section and session guitaristDuane Allman.^[12] Despite good reviews, this release achieved only moderate sales. Scaggs briefly hooked up with San Francisco Bay Area band Mother Earth in a supporting role on their second album Make a Joyful Noise on guitar and backup vocals.

Scaggs signed with Columbia Records releasing the albums Moments in 1971 and My Time in 1972. These first Columbia albums were modest sellers. Seeking a new more soulful direction, Columbia brought in former Motown producer Johnny Bristol for Scaggs' next album, Slow Dancer (1974).^[12] Although the album only made No. 81 on the US Billboard Album Chart, it subsequently attained gold status, no doubt getting a boost from the huge success of Scaggs's next album, Silk Degrees.^[3]

En 1976, utilizando músicos de sesión que más tarde formaron la banda Toto, grabó Silk Degrees , ^{[ 12 ]} con Joe Wissert como productor. ^{[ 3 ]} El álbum, que recibió una nominación al Grammy al álbum del año y otra nominación para Wissert como Productor del Año, alcanzó el No. 2 en el Billboard 200 de EE. UU . y el No. 1 en varios otros países, generando cuatro sencillos exitosos : "It's Over", " Lowdown ", "What Can I Say" y "Lido Shuffle", ^{[ 3 ]} así como la conmovedora balada " We're All Alone ", ^{[ 12 ]} que Rita Coolidge (quien había realizado coros en un álbum anterior de Scaggs) llevó a la cima de las listas en 1977. "Lowdown" vendió más de un millón de copias en EE. UU. ^{[ 13 ]} y ganó el premio Grammy a la Mejor Canción de R&B , que fue compartido por Scaggs y David Paich . En Fiebre del sábado por la noche , John Travolta coreografió su baile con "Lowdown".

En una entrevista, Travolta afirma: "Los Bee Gees ni siquiera participaron en la película al principio; yo bailaba al ritmo de Stevie Wonder y Boz Scaggs". ^{[ 14 ]} Sin embargo, Columbia negó el uso de la canción, ya que otra película de música disco utilizaba "Lowdown" ( Looking for Mr. Goodbar ). ^{[ 15 ]}

Le siguió una gira mundial con entradas agotadas. Scaggs actuaba en el Avery Fisher Hall (ahora David Geffen Hall) del Lincoln Center de Nueva York durante el tristemente célebre apagón del 13 de julio de 1977 en la ciudad de Nueva York . Llevaba unos 15 minutos de concierto cuando se cortó la luz. Scaggs le dijo al público que guardara sus entradas , ya que repetiría el concierto la noche del viernes, unos días después. ^{[ 16 ]} Scaggs actuó con Fleetwood Mac en algunos conciertos entre 1976 y 1977. ^{[ 17 ]}

His follow-up album in 1977 Down Two Then Left did not sell as well as Silk Degrees and neither of its singles reached the Top 40.^[3] For Down Two Then Left, Scaggs continued working with future members of Toto as well as Ray Parker Jr, member of the band Raydio who would later write and perform the Ghostbusterstheme song in 1984.

The 1980 album Middle Man spawned two top 20 hits, "Breakdown Dead Ahead" (No. 15, Hot 100) and "Jojo" (No. 17, Hot 100); and Scaggs also enjoyed two more top 20 hits in 1980–81, "Look What You've Done to Me", from the Urban Cowboy soundtrack, and "Miss Sun", from a greatest hits set, both reaching No. 14 on the Hot 100. "Miss Sun" was an unreleased Toto demo from 1977 .

Scaggs took a long break from recording as he felt making music had become a "career" and that music had "left him". He did attempt to make a new album in 1983, but "it didn't feel right". In 1985, he succumbed to feelings of anxiety and felt he had to get a record out as there was "something very big missing" in his life.^[18]

Scaggs' next album, Other Roads, did not appear until 1988^[12] due to Columbia rejecting the record as "they didn't feel they had a strong hit single",^[18] making Scaggs spend more time perfecting the album. "Heart of Mine", from Other Roads, is Scaggs' last top-40 hit as of 2018.^[3] Also in 1988, he opened the San Francisco nightclub, Slim's, and remained the owner of the venue until the club's closure in 2020.^[19]

In 1992, Scaggs performed at Toto's tribute concert for Jeff Porcaro, along with Don Henley, Donald Fagen, Eddie Van Halen, George Harrison, and Michael McDonald.^[20]

His next solo release was the album Some Change in 1994. He issued Come On Home, an album of rhythm and blues,^[12] and My Time: A Boz Scaggs Anthology, an anthology, in 1997.

In the summer of 1998, Boz toured as the opening act for Stevie Nicks.

After another hiatus from recording, his next album, Dig, received good reviews. However, the CD was released on an unfortunate date –September 11, 2001.^[21] In May 2003, Scaggs released But Beautiful, a collection of jazz standards that debuted at number one on the jazz chart. In 2008 he released Speak Low, which he described in the liner notes as "a sort of progressive, experimental effort ... along the lines of some of the ideas that Gil Evans explored." During 2004, he released a DVD and a live 16-track CD Greatest Hits Live that was recorded August 2003 at the Great American Music Hall in San Francisco. Dig was re-released in 2006, with the exception of the song "Get on the Natch".

After a break in recording, he undertook a series of shows across the US in 2008. Two years later he joined Donald Fagen and Michael McDonald for concerts entitled the Dukes of September Rhythm Revue.

His next album Memphis was released in March 2013. It was recorded in that Southern American city at the Royal Studios. The album included some of his favorite compositions from other artists. A tour of the United States, Canada and Japan followed the release. Before the year ended, he added live dates across North America and Australia for 2014. In 2015, he released A Fool to Care, a compilation of mostly covers, including "Whispering Pines" with Lucinda Williams, and one original blues composition, "Hell to Pay", performed with Bonnie Raitt. The album rose to number 1 on the Billboard Blues Album chart and number 54 on the Billboard 200.^[22] In 2018, he released Out of the Blues, reaching number 1 on the Billboard Top Blues Albums chart.

In February 2024, he made his first post-pandemic visit to Japan, touring for seven shows in five locations throughout the country. From the stage of his Tokyo show, he announced that he would donate the guitars he used for his Japan tour to a charity auction to support the recovery from the 2024 Noto Peninsula Earthquake which had struck on New Year's Day that year.

* Si bien el álbum homónimo de Atlantic de 1969 no logró entrar en las listas de éxitos tras su lanzamiento inicial, alcanzó el puesto n.° 171 cuando se reeditó en 1974. Tres años después, el álbum se reeditó una vez más, esta vez remezclado por Tom Perry en Sound City en Los Ángeles en octubre de 1977. Esta versión apenas rozó el Billboard 200, alcanzando el puesto n.° 209, pero la remezcla se ha utilizado para la mayoría de las reediciones posteriores. En 2015 se lanzó un 2CD que combinaba la versión original de 1969 y la versión remezclada de 1977. Rolling Stone clasificó el lanzamiento original en el puesto n.° 496 de su lista de los 500 mejores álbumes de todos los tiempos .